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Thoughts About Why We Train & What We Learn...

Buddhist Concepts for Budo Training -part 2 - Would You Cut Off Your Arm To Study With Your Teacher?  

8/1/2010

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Much has been said about the relationship that existed between the austere training of the Japanese Bushi (warrior class) and the Zen sect of Buddhism.  For the most part the relationship has probably been overstated. However, real contributions have been made and much has been “borrowed” conceptually from the discipline of Zen. 

Study of this issue is further compounded by the fact that the terms discussed are often not part of the common vernacular or have been absorbed with changes in meaning into everyday speech.
Picture
Ekadanbizu - by Sessyu
PictureIse Shrine - Shyugyo
This dramatic picture shows Daruma performing Shugyo (austere training rights) in a cave.  Daruma is credited with introducing Zen (Chinese Chen Style) to Japan, although this is a controversial subject open to greater academic research.

Although it is said that he sat on his knees (seiza) for “9 years” by Japanese custom, this should not be translated literally.  Nine years means a really long time.  The numbers 9 and/or 7 simply means "uncountable."  Today everyone sees the iconic Daruma figure shaped like dolls and fashioned as a child’s toy top.

This art by brush recounts the story of a monk that desired to become an acolyte of Daruma but was unable to gain acceptance. Finally, in an act of sincerity and a demonstration of determination, the would-be student severed his forearm and brought the blood dripping limb as an offering, thus successfully gaining admission to become a student of the great Zen priest.

This powerfully drawn picture speaks to us in many ways.

Shijyo:  師承 This is a concept that exists in Zen that is also a part of any classical learning in Japan including training in Budo.  It is formed by the characters for Shi-teacher and Jyo- to receive.
The student is supposed to blindly obey the teacher and do exactly as instructed.  Superficially this sense of loyalty might suggest something very simple such as a military man following orders or a child listening to a parent.  Shijyo is so much more than that.  Everything the teacher did was emulated. Eventually this would allow for the student to sense the teacher’s needs without verbal communication and thus develop the relationship between teacher and student in profound ways.

Conceptually Shijyo has left an indelible imprint on Japanese society. In the academic world, for example, good students usually do not debate topics or confront teachers, often blindly obeying the teacher’s position on a subject even when faced with incontrovertible truths in opposition to the teacher’s position.

Several years ago while in Japan hosting a large group one of my Sensei (teacher) in response to an inquiry looped a cord around his senior protege's throat and started to walk around with the senior on his back like a sack of coal.  The senior resigned himself and passed out.  This number 2 man demonstrated an absolute surrender to the Sensei.  This is a facet of Buddhism known as Mikkyo and is still found in Budo (martial ways) training. It demanded absolute loyalty from the student for transmission of knowledge from the teacher who was accepted as a saint. (I hope to write more on this later on). It often lead to excess.

The event was not lost on my senior colleague, a medical doctor.  He clearly said that he would never surrender himself so completely to anyone.​
  1. Enzan no Metsuke  遠山の目付け, roughly translated as viewing the distant mountains.  This concept found throughout Budo training is clearly sought in the study of Iaido (sword drawing).
Again the painting is instructive.  Can you imagine as the picture depicts what it must’ve been like to sit less than 10 inches away from a wall of a cave for an indeterminant length of time?  What would become of Daruma’s eyesight after being fixed on an object in the dark for so long? This is a key to the mental state of satori, roughly translated into English as “enlightenment.”  By dimming your eyesight and disconnecting from any thought, object or feeling, by erasing all worldly stimuli, a greater more profound truth can be found through utter detachment from things.
​
Daruma understood that the human mind is always looking for shape, some cognitive clue to fix upon, identify and make sense out of, thus corrupting pure thought. It was the brain’s fixation on things that brought pain and misery as well as man’s other emotions.  True satori required that the left side of the brain be toggled off. Satori is free from these imposed restrictions, allowing for a more relaxed state that extends into consciousness. Filled with paradoxes by seeing less, more can be sensed and known.
In Iaido, as in other budo, Enzan no Metsuke suggests that one’s eyes must be dimmed, disciplined to view the distant scene rather than to capture minute details, allowing the senses to envelop the whole environment.

Of course, years of study and many books have tried to distill understanding of these concepts into explanations in English for the layperson.  This author is not an adept of Zen and is only trying to convey the message provided by a Zen Monk about this picture as well as provide some personal experiences.

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